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Today as we drink tea in one of the Royal Academy’s cafés, an abiding love for clothes is evident in her all-black outfit: vintage velour trousers, an early-’90s leather jacket, and the latest Nike Shox sneakers. Williams studied fashion and moonlighted at London’s Dover Street Market. Her mother worked in the costume department of the BBC her father, now a gardener, took various jobs in broadcasting when she was growing up. No one can argue that this is just trying to tick the diversity box.”īorn in Ealing, West London, Williams and her younger sister were encouraged to draw and paint from an early age.
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“When we see people of color in period dramas, some people say it’s not historically accurate,” Williams says, animatedly. The rest springs from Davies’s vivid imagination but remains true to core components of the work: the unusual seaside resort setting its clever protagonist and perhaps most striking, a teenage heiress from the West Indies, Miss Lambe (played by Crystal Clarke), whose presence causes a stir among the fashionable set. Darcy) just enough material to carry him through three-quarters of one episode. The manuscript provided British screenwriter Andrew Davies (responsible for the Pride and Prejudice adaptation that brought us Colin Firth in a wet shirt as Mr. If the character’s name is unfamiliar, that’s likely because Sanditon was only partially written at the time of the author’s death in 1817.
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It’s an appropriate backdrop, since the 25-year-old will soon star in the television adaptation of Austen’s Sanditon ( Masterpiece on PBS) as the lively Charlotte Heywood. Rose Williams is waiting on the steps of the Royal Academy of Arts in London-a grand 18th-century portico that could easily frame a Jane Austen heroine. A chance audition for an acquaintance's short film jump-started William's career.